MIRROR.MIRROR

Mirror.Mirror is an ongoing artistic series that brings together mirror-polished stainless steel, the physical traces of gunfire, and the constantly changing images of the surrounding world. By introducing actual marks of destruction into reflective surfaces, the artist creates a visual and conceptual tension between human actions, reflection, and the passage of time.

Across different spatial environments and modes of presentation, the works incorporate their surroundings and the presence of viewers into their reflective structures. While the marks of human destruction remain embedded in the material, the world reflected on its surfaces continues to change.

Moving beyond the representation of violence, Mirror.Mirror explores the relationship between humanity and the world, inviting viewers to reconsider their own presence, actions, and responsibility within the reality they inhabit.

theGame

theGame is an ongoing international public art project that explores the connections between people, nature, and different forms of life through art, play, and shared experience.

Rooted in the idea that play is a universal part of human culture and a source of emotional connection, the project brings together communities, cities, and countries through a continually evolving series of artistic encounters. At each location, art becomes a meeting point where people can engage with one another, rediscover their relationship with nature, and experience the bonds that connect all forms of life.

Moving beyond the boundaries of a conventional sculpture or exhibition, theGame seeks to transform public encounters into meaningful experiences of connection, participation, and shared humanity. It celebrates the emotional value of human relationships and the possibility of a more connected world.

VOID(2024–∞)

VOID is an ongoing site-based artwork that brings together discarded materials, fire, natural processes, and the passage of time. Using more than one hundred discarded spring mattresses, the artist initiates a process of transformation through repeated cycles of stacking, burning, and restacking.

Rather than treating destruction as an endpoint, the work allows the remnants of material to enter into an evolving relationship with the surrounding environment. Following successive cycles of burning and rearrangement, vegetation gradually emerges among the remains, revealing the possibility of new life within processes of decay and transformation.

Moving beyond the physical disappearance of objects, VOID explores the shifting relationships between matter and existence, destruction and renewal, and the visible and invisible dimensions of life. It approaches emptiness not as the absence of being, but as a condition in which existence continues to transform and new possibilities emerge.